Artists Statement
My passion lies in the ancient art of intaglio printmaking. I enjoy the strength of imagery acquired with the intaglio process and the challenging technique of image reversal on a zinc plate using acid-etch methods. Tone and texture are created with precision timing, more textural effects can be achieved using sugar-lift and soft-ground. I have incorporated into my etchings the more advanced print techniques of Chine Colle and color viscosity. I have also created full color prints, using six carefully registered plates per image, and also six-colour serigraphs. I carry this strength of imagery, composition and bold aesthetic through to other media, such as painting and photography.
My artistic statement is that of strength, expressionistic distortion, texture, and balance. I strive to create a chiaroscuro of light and dark, delicate yet bold, organic natural form juxtaposed with urban architectural decay.
Although Yorkshire is deeply ingrained in my psychological makeup, I also consider myself a Southern Californian. I grew up in the rural outskirts of a textiles town in the heart of Yorkshire, where Gothic architecture and Victorian industrialism co-exist in a scenic tapestry of ancient, natural forms. In contrast to that environment is southern California, with its brilliant sunshine, airy beaches, and dry pastel sage & chaparral. Living 40 years in San Diego has allowed me to snap into sharp focus these two diametrically opposite influences. Gothic-style Yorkshire and sunny California together form my personal perspective and aesthetic direction.
I recently took a master class at the University of York in order to study the techniques of medieval painting on glass, which I find has many similarities to printmaking. I intend to continue exploring the possibilities of this ancient technique and would like to teach this rare art form.
My goal is to continue to develop my own aesthetic style and to show my full portfolio of work in international galleries and art museums.
